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Author Topic: Oscars  (Read 323 times)
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DavidFW
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« on: March 8, 2010 at 10:55 »

The Hurt Locker took home nine awards and gave the first woman in the history of the awards, "Best Director".

Young Victoria won for best costumes.

I had hoped Carey Mulligan might sneak in there but Sandra Bullock (Whose work I don't care for...) took best female actor.
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Chris
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« Reply #1 on: March 9, 2010 at 00:48 »

David,
 
Isn't it neat that a woman was chosen as best director. I bet her X-husband was pissed as he was up for the same award.

I don't especially like a lot of the work that Sandra Bullock does either. However, in Blindside she was fantastic. Such a moving picture. Excuse the pun! A couple friends wanted me to see the movie so they went for a second time. I almost didn't recognize her as she was blond. Did you see the film?

Actually Meryl Streep is my favorite actress (except for Rachael of course) so I was disappointed that she didn't win. I couldn't stand her excellent imitation of Julia Childs. I didn't watch the real Julia Childs as her voice was so whiny. So I didn't watch the whole movie. I left when she was chopping the onions.

Do you like Helen Mirren (not sure of spelling)?

Chris


 
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DavidFW
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« Reply #2 on: March 9, 2010 at 21:17 »

David,
 
Isn't it neat that a woman was chosen as best director. I bet her X-husband was pissed as he was up for the same award.

I don't especially like a lot of the work that Sandra Bullock does either. However, in Blindside she was fantastic. Such a moving picture. Excuse the pun! A couple friends wanted me to see the movie so they went for a second time. I almost didn't recognize her as she was blond. Did you see the film?

Actually Meryl Streep is my favorite actress (except for Rachael of course) so I was disappointed that she didn't win. I couldn't stand her excellent imitation of Julia Childs. I didn't watch the real Julia Childs as her voice was so whiny. So I didn't watch the whole movie. I left when she was chopping the onions.

Do you like Helen Mirren (not sure of spelling)?

Chris


 
It was a case of the big budget vs the art of film making. And film making won. Not seen Blindside yet, mainly because of Sandra Bullock. I guess this is a departure from her usual fluff but as you've brought up two fine actresses in Helen Mirren and Meryl Streep who have a lot of great films in their profile's, I doubt very much that Sandra will opt for the better roles from now on. I know they have to make money and sometimes end up in roles that are ludicrous, but it must be nice to know that you are in high demand for your talent rather than your looks, though both Helen and Meryl have become poster gals for us over 60 crowd. Amazing that she's now been nominated 16 times, the most in the history of the Oscars.
So how do you come back down to the stage from that point? How do you remain your own person?
I'm glad Rachael stays in the same mode and I hope there's an Oscar in her future. I get the feeling it would end up in her tool box with her other stuff. Wink
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« Reply #3 on: March 11, 2010 at 02:18 »

You're right about the Oscar being in the tool box but I don't think it will turn green. Yet if funds become very tight she said she could always sell the green dildo on ebay. The Oscar might have to go a long way to beat the lesbians' price for the dildo. Ha Ha

I watched Precious tonight. I felt so angry through much of the film. I was ready to shoot the system and every abuser on the spot. Talk about being powerless over ones circumstances. However, Precious developed more self-esteem or perhaps some self-esteem and she was then able to take care and protect herself and her children.

The hard cold facts are that this story is so damn stereotypical!!!
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« Reply #4 on: March 12, 2010 at 14:52 »

I am very excited that Kathryn Bigelow is the first woman to have taken home the Best Director Oscar!

Personally I think its a shame that Cameron won neither Best Film or Best Director award, as in my opinion Avatar was a phenomenal film. I don't think saying 'It was a case of the big budget vs the art of film making. And film making won.' is a particularly fair statement, considering all that went into making Avatar! I think they both honour the art of film making quite well, but one film simply cost more than the other. I don't understand why a lot people feel an intense hatred of high budget Hollywood films, when at least a small percentage do deserve the praise bestowed upon them.
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DavidFW
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« Reply #5 on: March 12, 2010 at 16:34 »

I should have prefaced that statement with, "In my opinion..."

I just don't think that a film that relies heavily on computer graphics is true to what film making and particular the Oscars is about. Okay, they have animation categories awards for special effects and that's as it should be. Special effects have had a part in acting as far back as the Greek plays of Sophocles. However, acting is a unique gift that only humans are capable of doing for entertainment.
Was the, Titanic a good film? The acting was terrible, the special effects were what won the Oscar. It was perhaps the only way we will ever be close to the events of the sinking and from a historical perspective, that's a good thing.
If you combine the two forms, you have to strike a balance at some point. What percentage do I give to acting as opposed to effects?
Hitchcock's, Lifeboat had one set and was nominated for three Oscars but didn't win. The special effects were minimal but the film remains a tribute to the film makers art.

It's all subjective. Like wine. You like what you like. I didn't mean to come off as a film viewing snob or purest, it was an opinion. And inasmuch as I haven't seen, Avatar, as you say, unfair.

Besides, some of my favorite films are the Wallace and Grommit's and Nightmare Before Christmas.
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« Reply #6 on: March 13, 2010 at 17:02 »

From some friends who go to New England each summer they say that Meryl Streep is very grounded. She goes over to the neighbors, helps with dinner and does the dishes. Plus she is reported to act like a very regular person. Is it time to have more categories for best picture: computer graphics, special effects and human? For those in the UK, I  long time ago I met a comic artists who did graphic art by hand. Each picture was a slight bit different than the other simulating movement. When these cards were flipped or run through they simulated movement to the figure. Hence, a moving picture rather than a film. The US is behind the times in out term for them as its pre-film. I have heard some people from the UK wonder why this is done so this process hopefully explains it.
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DavidFW
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« Reply #7 on: March 13, 2010 at 17:58 »

I don't understand why a lot people feel an intense hatred of high budget Hollywood films, when at least a small percentage do deserve the praise bestowed upon them.

It's not an intense dislike on my part, per se. I've seen a lot of big budget films that have totally tanked on screen and many were pre-graphic enhancement.
Heaven's Gate comes to mind.

I'm just used to seeing superior acting as those are the films and plays that draw my attention. I've seen, Wicked on Broadway three times, arguably one of the most lavish plays in production, and loved it each time. I also enjoyed the  Broadway comedy remake of Hitchcock's, 39 Steps where a cast of four played over 150 roles and the set was bare bones. It was just as good in it's own way and very low budget.

You specifically mention Hollywood films. Which is to imply that Americans, more than anyone, throw vast amounts of money at a film in hopes of winning an Oscar and that's my take. By and large, American film makers have big budgets and for some, bigger is better. However, look at the works of Orson Welles, or Frank Capra or Raoul Walsh. They struck a balance and made some amazing films that remain classics.

I was just thrilled that Ms. Bigelow was able to capture the intense relationship of men in combat in a very small, elite group whose job was virtually a suicide mission. Then to get into the mind of the main character and try to let the audience feel his motivation, well that's superb direction with a fine touch.
Sort of the flip side of what Clint Eastwood was able to do with, Bridges of Madison County. He placed the control of the action in the hands of Meryl Streep. Perhaps because she could assert her character without being over powering and controlling, after their relationship had begun and through the rest of the film and even after her character's death.

On my part, not an intense dislike or even mild disdain. I just take big budget films with a "wait and see" attitude.
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